Developed in the 1920s, these deep-draft wooden vessels had a sweeping sheer with the pilothouse positioned aft and the working deck amidships. The nets came up over the side, and a dory or two usually perched atop the pilothouse.
For a good many years, whenever I have found myself navigating a stretch of life’s unsettled weather, I have retreated to a little island where the fog seemingly rolls in and out at will and the smell of honeysuckle and wild rose in late June leaves me dizzy.
It is a place where the kids still cannon-ball off the town dock, where the fish are big and willing, and the currents run fast; fishing from a small boat, you pick your way carefully around shaggy boulders the size of pickup trucks.
One of the nice things about our watery world is there is a project boat for every budget, every taste, every dream. Large or small, classic or contemporary, in wood, glass or metal, the old and the not so old, there are an endless number of ways to get out on the water.
After 50 years and somewhere in the neighborhood of 600 issues, what do you do for an encore? If you’re in the publishing business, you’re conditioned to look ahead to the next issue, the next set of deadlines, tomorrow’s blog, story or e-newsletter.
“It was a mighty upheaval of ocean, a thing quite apart from the big white-capped seas that had been our tireless enemies for many days. I shouted, ‘For God’s sakes, hold on! It’s got us!’ ”
— Sir Ernest Shackleton, “South: A Memoir of the Endurance Voyage”
Page 4 of 16
A 1981 Phi Beta Kappa journalism graduate, Bill has been writing about boats for more than two decades. His boating travels have taken him from the Persian Gulf to the Baltic Sea, and always back home to Little Narragansett Bay, Rhode Island. As editor, Bill is responsible for planning and executing the publication's boating coverage each month, and his Under Way column starts each issue. Bill has been with Soundings for 20 years and in 1997 won the Moulton H. "Monk" Farnham Award for Excellence in Editorial Commentary.